Emily's Back Piece Takes Yin and Yang to the Next Level

I spent yesterday at the New York City Tattoo Convention at the Roseland Ballroom.

I'll provide a fuller dispatch later but I wanted to share one of the more visually-stunning pieces that I chanced upon.

This is Emily's back piece:


This represents about sixty (60!) hours of work by Erick Diaz at Asylum Studios in the Williamsburg section of Brooklyn, New York. A smaller, much less complicated tattoo by Mr. Diaz appeared last summer here on Tattoosday.

What's depicted is the classic battle between good and evil, angels and devils, heaven and hell. Emily went to Erick with the basic concept of the piece and Erick did the rest.

"It's the state of every human being," Emily summarized, "a giant yin-yang".

The "13" at the bottom of the back is a memorial, of sorts, but Emily didn't want to elaborate. She also noted that this elaborate piece covered up two smaller tattoos at the top of the back.

I thank Emily for sharing her marvelous canvas with us here on Tattoosday!

Kyle's Take on Heaven and Hell

I initially just saw the bottom of this tattoo, an inverted cityscape poking out from under a sleeve. Quite unusual, so I had to stop Kyle and ask. We were on 7th Avenue, and I was using the borrowed Sony Cyber-shot of a co-worker (thanks, Tina!). Kyle rolled up his sleeve and blew me away.

The detail and color of the tree were breath-taking. And if you click on the initial photo to enlarge it, the detail in the buildings is astonishing, with color on the billboards and light emanating from some of the tiny windows.


The concept behind this piece, Kyle explained, is that the country is Heaven and the city is Hell, separated by a layer of purgatorial clouds. He was raised in upstate New York, far from the five boroughs of New York City and its eight million-plus inhabitants.

This work was inked by Myles Karr at Saved Tattoo in the Williamsburg section of Brooklyn.

Thanks to Kyle for sharing this piece with Tattoosday!