Cenk's Skeleton Tattoo Pays Homage to Yukio Mishima and St. Sebastian

I met Cenk where I meet so many Tattoosday volunteers, outside of Penn Station on the plaza adjacent to Madison Square Garden.

He shared this, one of his four tattoos:

This is an interpretation of the depiction of St. Sebastian, as seen by the Japanese author Yukio Mishima, one of Cenk's favorite writers. A variation of the St. Sebastian imagery graced one of the many covers of Mishima's Confessions of a Mask:


Mishima even posed for a publicity photo as the martyred St. Sebastian:


This piece was tattooed by Myles Karr at Saved Tattoo in Brooklyn. According to his website, he has since left Saved, and opened Three Kings Tattoo Parlor. Mr. Karr's work has appeared previously on Tattoosday here and here.


Thanks to Cenk for sharing this tattoo with us here on Tattoosday!

Skeleton Emerging

I met Javier outside of Madison Square Garden back in July and he shared this incredible tattoo on the back of his right calf:


He had the idea in mind and took it to Uccio, a tattoo artist in a shop in Salamanca, located in western Spain.

This amazing piece has an incredible three-dimensional feel, with a skeleton emerging through the torn flesh of Javier's leg.

Thanks to Javier for sharing this amazing tattoo with us here on Tattoosday!

UPDATE:

Javier was kind enough to clarify for us that the shop where this was done is called Stres Tattoo in Salamanca.

He also sent me images of the sketches upon which this amazing tattoo was based:




Thanks to Javier for the update!

Carrie Returns with Some Matrimonial Ink

As this blog has evolved from a weekly installment over at BillyBlog into a full-time appreciation of the Tattoo, I have gained an immense appreciation of the way Mexican folk art has been absorbed into the medium.

The celebration of Dio de los Muertos (the Day of the Dead) is a perfect match for tattooing, as it is associated with bright colors and what I call a "pleasant morbidity," in the form of skeletons and skulls.


Some of my favorite posts here at Tattoosday have been related to the Day of the Dead (see here and here).

So it was with great pleasure that I learned that Carrie, of the amazing ship tattoo, was sending me new ink photos, and moreso when I saw they were in the Dio de los Muertos theme.

Carrie sent a slew of photos relating to two tattoos she and her new husband, Ryan, received as a wedding gift from their friend, Evan Lindemann, who is a tattoo artist at Revolver Tattoo in New Brunswick, NJ. This is the same shop where her pirate ship was (and continues to be) inked.

The couple were married on Halloween of 2008, and honeymooned the following week, which coincided with the Day of the Dead celebrations:

"We had a masquerade ball for our Halloween wedding...our cake topper was a Day of he Dead skeleton bride and groom folk art bride and groom


and our toasting flutes were hand painted from Mexico and had day of the dead bride and groom skulls as well [see photo above]....Going to Mexico was the icing on the cake to finish out our awesome wedding....In Mexico we went to Playa del Carmen, shopped like crazy on 5th ave and ... found some beautiful Day of the Dead figurines and shadow boxes.....

For our wedding gift, ...Evan...wanted to give us a tattoo each.

We love tattoos, so it was one hell of an offer....so...we decided that I would get the Day of the Dead figurine that is the skeleton in the tux representing the groom


and Ryan would get the Day of the Dead woman figurine which represents the bride:


So, we have a piece together and they are beautiful!"

Carrie concludes, that these tattoos "symbolize our love, marriage and honeymoon".

She added that this may "sound kind of corny," but she is right when she says they are beautiful.

A belated congratulations to Carrie (and Ryan) for the marriage, and their incredibly cool (and romantic) his-and-hers tattoos. In a day and age when so many married couples tattoo each others' names on their bodies, it is heart-warming from an artistic perspective to see the level of creativity and thought that went into these pieces.

And a hearty thank you to Carrie (and Ryan) for sharing their work here on Tattoosday!

Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.