Karen's Colorful Ink Glows in More Ways than One

Autumn has not been good to us here on Tattoosday. Inkspotting has been, um, spotty, at best, and most of the work I have seen has been indoors and/or below ground.

On Tuesday, I glimpsed some color peeking out from a woman's sleeve as she walked south on Seventh Avenue.

When I stopped to talk to her, Karen was gracious, despite the chill in the air, and filled me in on the two pieces (yes, just like last Tat-twosday) on her right wrist:


Karen is a student at Fashion Institute of Technology and was inky of another sort, with smudges on her hands and arms from her projects. She is an artist specializing in textile surfaces, designing such things as wallpaper, tissue boxes, and other items requiring her craft. She cleaned some of the ink up from around her body art, enough so we could get a clearer shot of her tattoos.

The one on the left is the insignia from the Gunslinger's revolver featured on the covers of Stephen King's Dark Tower series.

This is referred to as the "Eld Sigul" insignia and stands for the Gunslinger. I'm sure fans of the series will correct me and/or expand on the topic should they find that explanation lacking.

Do note that we had a Dark Tower tattoo recently on these pages, here back in October.

What's noteworthy about this piece is the ink used has special qualities. Karen originally wanted a hot pink tattoo, but the shop (Skin Deep Tattoo) had just received a shipment of ink that illuminates under black light. I've not seen one of these in person, but have seen samples elsewhere in the blogosphere.

The other piece, on the right, is a "third eye" designed by the artist Alex Grey, who is renowned for his cover art for the band Tool:


In fact, this "third eye" piece is from the art of the Tool album Lateralus:




This, also, was worked up at Skin Deep. Karen believes that Rob was the tattoo artist for both pieces. The extreme close-up at the top of this post emphasizes how vivid the ink used in the piece is.

Karen has two other tattoos, but they were well-protected from the elements, and were not visible higher up on her arms.

I do thank her again for being so amenable to stopping and sharing her work with us here on Tattoosday!

Tattoos from the Blogosphere: More of Mat's Ink

Back in April, I posted an incredible back piece that was sent to me by a comrade in the blogosphere, Mat Giordano. Revisit it here. Totally worth it.

Shortly after sending me the elephant pictures, he sent me these, to add to the mix. I thought it was time to be a good blogger and share. Full disclosure: these are in Houston, photographed and sent by someone I've never met, but have spoken to on line.

Nonetheless, it's amazing ink, and Mat is a multimedia designer, so his work is pretty interesting.


So, what's with this flower? Here's an excerpt from our chat (edited and abbreviated):

Me: What's the flower?

Mat: Sort of a mutation of a hibiscus

unrealistic color scheme

but what was in my head;
I just didn't know it until I saw Travis' stencil.

Me: did you do the design or was it a collaborative effort with Travis [the artist]?

Mat: I never design my tattoos

just ideas

I realize my place as a designer

I'm not a tattoo artist

lots of designers make the mistake of designing their own tattoos and being very adamant about what the tattoo artist should do

instead of letting them fly at what they are best at

Me: Agreed

Mat: I say "I'd sort of like this"

and say "tattoo what you think belongs there".

This was a special one for me

Me: Why special?

Mat: It was the pink-to-red gradient of the hibiscus plants that I planted in the driveway of the first home I had with ... my little boy Jack

whose name you can see on my wrist at the end.

Every morning when I'd be leaving to go create things for a living,

I'd see it open in the driveway

one on each side

so past that, being in Houston now, it's nice to look at it and remember

I was there this past weekend and all those feelings came rushing back like a tidal wave

Me: The hibiscus (maybe all flowers) can carry such emotional weight as symbols of places...I grew up in Hawai'i where the hibiscus is the state flower and to me it just represents home

Mat: Wow, so you can sort of relate how I feel about the relations of a flower symbolizing comforts of home

or symbols of anything that carry emotional weight, I suppose

Me: Absolutely, especially when they are so significant to a specific time and place.

As you can see, interesting discussion about the emotional weight behind tattoos as symbols of not only the abstract (the idea of 'home'), but of concrete places as well.

Later on, Mat elaborated : "I couldn't really understand, beyond the fact that Travis is a great friend of mine, why my mind immediately wanted those colors [in the hibiscus] he predetermined right before we started, until I realized the weight of what they meant in my subconscious, which fortunately made its way through a pretty muddy network to my conscious so I could relay it to the artist. Thankfully, Travis can read me pretty well, in turn cutting plenty of my mindless stares and utters out of the time frame."

Mat has communicated about tattoos with me on a level more cereberally than anyone I have met since Tattoosday began. He's above and beyond the "I-liked-the-art-on-the-wall" mentality, which is fine for many people.

Below is a shot of Travis Stanley, the artist at 713 Tattoo Parlour, in Houston, Texas, working on Mat's flower tattoo.

And finally, a cool shot of Mat's wrists:


Jack, as mentioned above, is his son. The name was inked by Marc da Sharc at I-Drive Tattoo in Orlando, Florida. Marc da Sharc also did the other piece, but at the aforementioned 713 Tattoo Parlour. For those unfamiliar with the design, it is the symbol for infinity. Mat specifically wanted to clarify that the placement of that symbol on his wrist "by no means was a decision based on how long he thinks he'll be around".

Thanks again to Mat for sharing his tattoos here!

Tattoos I Know: Janet's Tat Trick

When I moved to New York in 1997, one of the first friends I made at work was Janet Loder (now Loder-Berthelon). Even though Janet left for greener pastures almost five years ago, we still talk and occasionally get together for lunch or a social jumble of offspring (i.e. our kids play together). Last Thursday, we met at lunch and Janet let me take some hasty shots in the sunshine of her three tattoos. All pictures were snapped on the steps of the New York Public Library, between Patience and Fortitude.

The first of Janet's tattoos was inked in Buffalo, New York when she was 19 or 20, approximately 20 years ago:


This pachyderm has been touched up twice in the twenty years or so since first decorating Janet's right shoulder blade (aka the posterior scapula). It was the first tattoo I saw on Janet, back in 1997 when tattoos were not as common as they are today. Janet has always loved elephants, and has a few collected, the first of which was given to her as a child by her much-beloved Aunt Claire, for whom her daughter is named.

Janet's love of elephants (and hence her tattoo) stems from their being majestic creatures that are matriarchal and intelligent. They are social beings that even mourn for their dead.

Janet's second tattoo was inked four or five years back at her friend Michelle's bachelorette party:

This simple yin and yang symbol, inscribed on the left side of her lower back, was added in the East Village, we're guessing at Andromeda Tattoos Studios. It is a symbol, for Janet, of her striving for balance in her life.

Her third and last (but not final) tattoo was also done at Andromeda, and is on the right side of Janet's lower back:


Janet is particularly proud of this one and thinks it has the best story of her three tattoos. I would agree. She had this done in 2004 when she had been traveling a lot on business between New York, San Francisco, and Los Angeles. She began dating a guy in L.A. and was seeing him whenever she flew into town for work. As her California work projects came to a close, their relationship reached a crossroads, and there was discussion and soul-searching over the matter of relocation. He didn't want to leave L.A. Janet was born and raised in Buffalo and is a New Yorker through and through. I can't imagine her living in L.A. And neither could she.

As one might guess, her decision was solidified when she went and had this tattoo done which, "sealed the deal not to move to L.A." Once branded, she mused, there was no way she was leaving New York.

The rest is history.

Thanks to Janet for sharing her tattoos and accompanying stories! You know a friend is true when they'll let you blog about their tattoos!